Dr. Lisa Jadwin Office: 110 Basil Hall Phone:
585.385-8192 Fax: 585.385-7311 E-mail: ljadwin@sjfc.edu
http://www.jadwin.net |
Office Hours Fall 2005: (no appointment
necessary): T/R 9-9:30 a.m., W 4-6 p.m., and by appointment at other
times. To make an appointment, phone, e-mail, or contact me in person.
| download
a copy of the syllabus, English 101C-01, Fall 2005 (pdf file)
Course Description and Structure
English 101 is designed to help you learn to write analytical
papers on a variety of topics in clear, correct prose. Writing is challenging
because it's more than self-expression: it's a way of learning, a disciplined
way of considering what is in front of you. You learn to think by writing, and
you'll get a lot of practice writing and thinking in this course. To encourage
you to develop the habit of thinking critically, assignments ask you to analyze
commonly available media such as advertisements and television programs. The critical-thinking
skills and writing techniques you learn in these assignments will serve you throughout
college and beyond. Please note that this is not a course in basic grammar
and mechanics, which you are expected already to have mastered. Previous
students have described this course as "challenging, but fun," and often note:
"I worked harder than in any of my other courses, but I learned a lot." Class
will be interactive, most class activities will be group-based, and there will
be many in-class assignments. Because your participation is essential, the attendance
policy is strict and will be enforced without favoritism. Make sure you are ready
to honor it if you plan to stay in the course. Course
Text Lisa Jadwin, Writing Both Sides: A Guide
to College Writing I wrote this textbook specifically
for Fisher 101 students; you pay only the cost of photocopying and binding.
For your convenience, a copy has been placed on reserve in Lavery Library. Bring
your book to every class. Course
Requirements Five
analytical papers (3-5 pp. each) on topics to
be distributed. Each paper will be graded twice: once (5% each, 25% of your final
grade) when you initially hand them in, and again, when you have revised them
for inclusion in your final portfolio (25% of your final grade). This allows you
to improve your papers by revising them but also holds you accountable for doing
high-quality work throughout the term. In-class
writings and homework graded on a three-point
(minus/check/plus) scale (15% of final grade). Be sure to keep copies of all written
work - papers, drafts, exercises, notes - that you do for this course. You may
be asked to hand it in. Keep copies of everything you write. Though there are
no makeups for in-class assignments, your lowest grade on in-class work will be
dropped at the end of the semester. Weekly
quizzes will test your grasp of the main points
of the reading assignments (20% of your final grade total). Quizzes will be given
at the start of class, so make sure you're on time because quizzes cannot be made
up. To prepare for quizzes: as you read each chapter, mark important terms, memorize
unfamiliar and important words, and outline chapter on a separate sheet, listing
its main points. Though there are no makeups for quizzes, your lowest quiz grade
will be dropped at the end of the semester. Midterms/final:
though currently no midterm and final are scheduled for this course, I reserve
the right to institute a midterm and a final exam if necessary to motivate students
to master course materials. Participation
and attendance (15%
of your final grade). Participation and attendance are linked. Participation means
asking questions, paying attention, participating in discussions and exercises,
contributing ideas, etc. Because this is an interactive class, you must be present
in order to learn and contribute. You are permitted one week of absence without
penalty, but absences beyond this will lower your grade regardless of the circumstances,
because if you're not in class, you can't do the work of the course. Students
who miss more than 3 weeks of class will receive an F for the course. Because
class begins on Day 1, absences because of registration problems count fully.
If you have a serious emergency, such as a death in the family, auto accident,
hospitalization, etc., please contact me in advance or as soon as possible so
that we can work with the Dean of Students to make arrangements. If you
miss class, contact other students to find out what you missed. You're responsible
for finding out about any assignments, due dates, and announcements and for fulfilling
them on time. Extra handouts and worksheets will be available after class on the
front of my office door for pickup anytime. Out-of-Class
Resources Dr. Jadwin As your instructor,
my job is to coach you to be a more effective writer and to evaluate work you
produce for this course. Drop by during office hours to discuss any issue related
to writing or to our class. We can have a telephone conference if a face-to-face
meeting is impractical. You and I can accomplish a great deal during a short 15-minute
conference, especially if you're stuck. During
office hours you don't need an appointment - you can just stop in. I have scheduled
an office hour right before class to accommodate students who work during the
day. If your schedule makes it impossible for you to come by during these times,
see me, call (385-8192), or e-mail me with your available times (ljadwin@sjfc.edu)
to set up an appointment. The
Writing Center The peer consultants at the Fisher Writing Center are
available to help you free of charge, with appointments during both day and evening
hours, with any issue related to writing, including inventing, drafting, revising,
and polishing. I encourage you to make at least two visits to the Writing Center
every term and to develop relationships with consultants who can be requested
when you make an appointment. 3-credit students will receive extra credit for
visiting the Writing Center. Note that Writing Center consultants cannot (1) proofread
your work (2) tell you what grade you should receive or (3) write your paper for
you. Approach them with drafts, ideas, and a specific agenda on which you want
to work. The
Writing Center notifies me when you fail to show up for an appointment. Students
who fail to show up for a scheduled Writing Center appointment or repeatedly cancel
appointments will be penalized. Each no-show will lower your final grade exponentially
and may cause you to fail this course. If you think you're going to miss an appointment,
call the Writing Center and cancel it. The
Writing Center is located on the second floor of Basil Hall in the Gateway area.
For Students
with Diagnosed Disabilities In compliance with
St. John Fisher College policy and applicable laws, appropriate academic accommodations
are available to you if you are a student with a disability. All requests for
accommodations must be supported by appropriate documentation/diagnosis and determined
reasonable by St. John Fisher College. Students with documented disabilities (physical,
learning, psychological) who may need academic accommodations are advised to make
an appointment with the Coordinator of Services for Students with Disabilities
in the Student Development Center, Kearney 211. Late notification will delay requested
accommodations. Academic
Honesty We often do our best work in collaboration
with others, and throughout your life you will consult with other people, in person
and in print, as you develop your ideas. However, while it is entirely legitimate
to consult others, it is unethical to take their ideas and pass them off as your
own. The best way to guard against plagiarism is to acknowledge the source(s)
of your ideas. If you borrow someone else's ideas, whether you use a direct quote,
summary, or paraphrase, clearly indicate who it belongs to. In writing you'll
use MLA-style citations. When speaking, explain where you got your information.
Sometimes it's hard to tell when and what you need to cite. Familiarize yourself
with the section of the Student Handbook on plagiarism, and talk with me if you
have questions. Ignorance about what constitutes academic dishonesty does not
excuse it. Students who are found to have plagiarized will be disciplined as detailed
in the Student Handbook, up to and including failing the course.
Calendar
of Readings and Due Dates Finish reading
and writing assignments before class. Students who come to class without having
completed assignments will be penalized. Always bring your book and any assignments
you're working on to class. The five major papers will be due on Fridays
to assist you in using the feedback you receive in class. Papers can be handed
in to me directly, placed in the "in" box on my door (Basil 121), faxed (385-7311),
or handed to the Basil Faculty Secretaries. I
cannot accept e-mailed papers because I am unable to download
and print them. On any day when an assignment
is due, your draft may be chosen at random from the class and used as material
for workshopping. If you show up for class without a draft or with an an incomplete
or inadequate draft, you will be penalized and may receive an "F" for the assignment.
NOTE: this calendar is approximate and does
not indicate all deadlines. For a current calendar, download the syllabus.
Week 1
| Introduction to course
Review syllabus; discuss course policies and requirements; answer questions.
In-class reading assignment: "Writing to Learn." Quiz. Discuss quiz
and evaluation of quiz. Discuss in-class reading assignment. Discuss
3- and 4-credit system and department-mandated diagnostic assignment. Distribute
topic/begin work on Paper 1 (Draft due next week).
|
Week 2 | Reading
assignments: "Thinking and Writing." Due at beginning of class:
draft 1 (typed, double-spaced) of Paper 1. Quiz on main points of reading
assignments. Discuss reading assignments; exercises. Workshop drafts.
Assignment: using the concepts in "Thinking and Writing," write final
draft of Paper 1. | Week
3 | Reading assignments: "Getting Comfortable"
and "Inventing" and "Giving and Getting Feedback."
Due at beginning of class: draft 2 (typed, double-spaced), plus notes, of Paper
1. Quiz on main points of reading assignment. Discuss reading assignments;
exercises. Workshop drafts, including descriptions of thinking processes.
4-credit students will be notified tonight and volunteers for the 4th credit
accepted as space allows.
| Week
4 | Reading assignments: "Drafting"
and "Know Your Audience." Quiz on main points of reading assignments.
Discuss reading assignment; exercises. Workshop drafts. Distribute, discuss,
get started working on topic for Paper 2. | | Week
5 | Reading assignment: "Arguing."
Due at beginning of class: Draft 1 (typed, double-spaced) of Paper 2. First
quiz on main points of reading assignment, focusing on thesis/evidence (first
half of chapter). Discuss main points of reading assignment, focusing
on thesis/evidence; exercises. Workshop Draft 1 of Paper 2. Distribute,
discuss, start work on Paper 3.
| Week
6 | Reading assignment: "Arguing."
Second quiz on main points of "Arguing," focusing on fallacies (second
half of chapter). Begin work inventing and drafting. In advertisements, identify
examples of fallacies as described in "Arguing" (this is Exercise
14 in the book). Writing assignment for next week: written answers to Exercise
14 in WBS.
| Week
7 | Reading Assignment: "Choosing Your
Words." Class activities: create, analyze, and workshop texts for Paper
3 ("What's happening in the photo?";, a short-duration assignment
to be completed by Monday). Reading assignment: "Choosing Your Words." Quiz
on main points of "Choosing Your Words."
| Week
8 | Reading assignment: "Framing."
Due at beginning of class: Draft 1 of paper 4. Quiz on main points of reading
assignment. Discuss reading assignment; exercises. Bring to class tonight
at least 5 print advertisements (color or black-and-white, size 8½ x 11)
pulled from magazines that belong to you. Carefully note the source of each advertisement
(what magazine it came from). Choose advertisements that seem to have multiple
meanings, complexity, a controversial message, or all three. You will choose
one of these advertisements for your next paper and we will begin working
on the assignment in class.
| | Week
9 | Reading assignment: "Greening."
Quiz on main points of reading assignment. Discuss reading assignments; exercises.
Due at beginning of class: Draft 1 (typed, double-spaced) of Paper 4.
|
Week 10 | Continue
work on greening; no reading assignment for tonight. Quiz 2 on greening. More
exercises on greening. Discuss television-program assignment. Time will be
allocated during tonight's class for watching the program as a group.. Workshop
D1/P4, focusing on "Greening" and "Framing" issues. Distribute,
discuss, start work on topic for Paper 5.
| Week
11 | No class tonight - happy
Thanksgiving! | Week 12 | Reading
assignment: "Correcting" and "Documenting." Quiz on main
points of reading assignments. Bring to class all work completed for this
course. Discuss reading assignments; do in-class exercises in both using copies
of student papers, with focus on correcting and documentation. Discuss revision
for portfolio. | Week
13 | Revision workshop for portfolios.
Bring to class all work completed for this course. There will be time for
substantive revisions, as well as for working on mechanics such as grammar,
spelling, documenting, and formatting. We will also discuss the contents of the
portfolio and the final exam (if applicable).
|
| Week 14 | Final exam week. Your
completed portfolio will be due by 9:30 p.m. on the scheduled date for our final
exam, Wednesday night of this week. You may hand in your portfolio early.
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